美國『音樂科技展演』
地點：美國史丹福大學Stanford University CCRMA中心
時間：January 16, 2016
曾毓忠：延伸 Ｖ
Yu-Chung Tseng: Extension V
For Hand Gesture, MIDI Controller and Max/MSP Interactive Program
《Extension V》- Music from the Air
《Extension V》- Music from the Air will use Max/MSeffectors patch including: Harmonizer、Granular、Delay、Feedback Reverb
Max/MSP
The main idea of《Extension V》is to extend the traditional ways, the mode of performance, and the pre-existing expressive range.
Max/MSP Patch
Magnetic Feedback Sensor
曾興魁：太極與呼麥的藝術
Shing-Kwei Tzeng: The Arts of Tai-chi with Hoomei
for Taijiquan, Interactive Technology, and Electroacoustic Music
Mind, Motion, and Music Integration
Wireless Sensor Tx/Rx Device “Knode”
Tai-Chi Interactive Performance Equipment
Motion Sensor with Body Movement
In the recent 10 years I have practiced Tai-chi-quan (also Hoomei singing) , I dream combining the beautiful movement to trigger, to generate music, through sensor’s motion tracking, through interactive performance arts I have created!
Tonight Performance I use 8 channels sensor, 4 bends, 2 buttons, 1 fsr, 1 accelerator,
4 bends control the continues data changing , the rest sensors as a trigger. 4 bends attach on the crooks of the arm, knees, 2 botton on the right shoe and right thumb, 1 accelerator on the right fist, 1 fsr on the left thumb.
All the piece is constructed by 7 scenes :
Scene 1 :Simple FM I
- Bend1: carrier freq - Bend2: modulation index
- Effekt Reverb (yafr)
Scene 2 : Simple FM II
- Effekt Harmonizer
Scene 3 Granular Synthesizer
- with rog~ program of IRCAM to generate a Chinese instrument Shen sound file.
Scene 4 Hoomei (Overtone) singing by performer.
Scene 5 the same as Scene 3.
Scene 6 the same as Scene 2 but with Delay Effect instead of Harmonizer.
Scene 7 the same as Scene 1: Coda- bow down (Scene 8 ) Only use filter glissando.
黃志方：「夜半歌聲」
Jeff (Chih-Fang) Huang: The Phantom Lover
for Electroacoustic Music, Singing Voice Synthesis, and Multimedia 3D Animation
Duration: 6-min. C.A.
Composer/Lyrics: Jeff (Chih-Fang) Huang
Singing Voice Synthesis: Yu-Chen Tang
3D Animation: Kevin Chen
Installation requirement: Mixer, Project
The 3D Display System will be installed in the stage
Program Note:
“The Phantom Lover” is originally based on French writer Gaston Louis Alfred Leroux’s fiction “The Phantom of the Opera”, to adopt into a Chinese film. This piece is according to the movie scenario and write the lyrics and music, to realize the singing voice synthesis technology. It also combines electroacoustic music, 3D multimedia animation, to express the audio-visual art in a unique cross-disciplinary way. The piece includes four sections Love Each Other, Disfigure, The Phantom of the Opera, A Sea of Flame. The singing voice is realized with Taiwanese language, to demonstrate the brand new idea and effect.
鄭建文：唐吉歌德的戰爭
Chien-Wen Cheng: The War of Don Quixote
for Cello, iPad, Electroacoustic Music, and Interactive Computer
This work is taken from Cervantes's Don Quixote story, trying to compose music as an ideal model to express the courage and pride, by the cello as the protagonist of the story, combined with interactive music system, the metamorphosis of a challenge from the heart out of the enemy, and in conjunction with mobile devices iPad interactive music system, showing "the enemy" fight back. Cello sounds detected by real-time control of digital music posture real time effect, the formation of a "musical instrument amplification", and thus amplified musical instruments playing, and iPad virtual instrumentalists dialogue and competition. The music itself will change the rhythm and timbre as the main focus of the presentation, and trying to convergence of fixed pitch instruments (cello), and noise instruments (iPad) as a whole.
Interactive Music with Cell Phone Sensors
System Architecture
董昭民：外部與內部
Chao-Min Tung
Exterior and Interior
for Erhu and Interactive Electroacoustic Music
"Exterior and Interio" is to present works inside and outside the erhu fiddle differences and associated entities of virtual instruments and digital sound between.
Stringed erhu bow placed between the inner and outer drive two strings of relationship between the use of electroacoustic musical instruments and sheet music mobile (mobil notation) to render the interactive mode of musical instruments and electronic music. Part of the electronic music sound synthesis sine wave mainly to pure digital operation frequency, creating all kinds of sounds mix. The mobile music notation may be processing structure for wavetable, showing the complex structure of parallel lines. The overall music is overlapped between the exterior structure, seeking to balance the tension between the inner and outer string erhu. Erhu and sensing controller integrated as shown below.
Erhu Interactive Music System
Multimedia System Example with Sensor Control
Recitation for Paywan nose flute and interactive electronics
The main idea of this piece is to represent an improvised reciting. The role of Paywan nose flute, traditional instrument of Paywan,Taiwan indigenous tribe, is to represent this reciting style and performs with programmed biwa and percussions. The sources of the sound files are recordings of biwa, temple blocks, bell and crotali. The percussion parts are based on the random rhythms produced by MAX-MSP, my own improvisations shown in Figure 1 , 2 and other percussion samples taken from sampling files which technical idea resembles the MIDI-sampler.
Figure 1 Max/MSP main patcher
Figure 2 Max/MSP percussion random play patcher
Paywan Nose Flute
Composers’ Bio:
Shing-Kwei Tzeng
Shing-Kwei got scholarship of Education Ministry Taiwan, studied and graduated at Musik Hochschule im Freiburg. Major in composition with Prof. Klaus Huber and Prof. B. Ferneyhough; theory with Prof. P. Foertig. 1986 he also got scholarship of French Government, studied film music at Ecole Normal de Musique de Paris/France with Professor L. Petitgerard, graduated with Diplom.1987 he took research at IRCAM/ Paris France. Since 1981 he is a Professor at Music Department of National Taiwan Normal University, Taipei/Taiwan. Teach in composition, computer music, music analysis etc. 2005 he is retained by Department of Information Communications of Kai-Nan University. 1999 he has established Taiwan Computer Music Association (TCMA) and was selected as the first Chairman. He was the Fulbright Scholar (2002~03) and visited CCRMA, Stanford University and University of North Texas. His compositions were performed by Gaudeamus Music Week, 1981/84 by ASKO Ensemble, World Music Days and Festival of ISCM Hong Kong 1988, Alkmaar Music Festival 1990 (Netherlands), Asia Pacific Festival Sentai/Japen1988 Seoul/Korea 1990, Presence Festival Paris/France 1996 by Ensemble 2E2M/ France,Quartet Alea III Boston /USA.
Yu-Chung Tseng
Yu-Chung Tseng, D.M.A., associate professor of computer music composition, director of music technology master program and laptop orchestra-CLOrk at National Chiao Tung University in Taiwan, R.O.C. His music, written for both acoustic and electronic media, has been recognized with selections/awards including Pierre Schaeffer International Computer Music Competition(1st Prize/2003,3rd Prize/2007), Città di Udine International Contemporary Music Competition(Winning work/2006), Music Nova International Electroacoustic Music Competition (Honary Mention Award/2009,1st Prize/2010), Metamorphoses International Competition of Acousmatic Composition (Winning work/2006/2008/2010).
His music can be heard on Selected Electroacoustic Music of Yu-chung Tseng (ISCM-Taiwan), CDCM Vol.28(U.S.A.), WOCMAT2006/2007/2009(TCMA), Discontact iii(Canada), Pescara 2004, Contemporanea 2006(Taukay, It.), Metamorphoses labels 2006/ 2008/2010(Belgium), SEAMUS 25th Anniversary CD(USA), KECD2 (Demark), and Musica Nova 2009/2010 prize-winning CD(Czech).
Chih-Fang Huang
Chih-Fang (Jeff) Huang, Assistant Professor at the Department of Information Communications at Kainan University, Taiwan. He is the chairman of TCMA (Taiwan Computer Music Association). He acquired both a PhD in mechanical engineering and a master’s degree in music composition in 2001 and 2003 respectively from National Chiao Tung University. He studied composition under Prof. Wu, Tin-Lien, and computer music under Prof. Phil Winsor. His electroacoustic pieces have been performed in Asia, Cuba, and the USA, such as the electroacoustic piece“Microcosmos” were selected and performed in International Computer Music Conference (ICMC) in 2006, and the composition presented in CEMI (Center for Experiment Music and Intermedia), University of North Texas in 2010, ZEPERNICK - XIX. Randspiele, Berlin in 2011, and Neue Wege - neue Klänge, Alte Feuerwache Köln, Germany in 2011. He is also the conductor of Taoyuan New Philharmonic Orchestra (TNPO).
Chao-Ming Tung
Chao-Ming Tung is a Taiwanese-born composer and gu-zheng player (Chinese zither) based in Cologne, Germany. His music encompasses stage, instrumental, vocal, and electro-acoustic works, and multimedia-performances with visual arts and dance. Since 2000 he has gradually incorporated Chinese instruments into his music, and improvises with gu-zheng and live electronics in concerts. In 1988 he began composition studies with Chien Nan-Chang in the Chinese-Culture-University Taipei. He continued his training from 1990 -1997 at the Musikhochschule Köln Germany with Johannes Fritsch and Mauricio Kagel, and later at the Folkwang-Hochschule Essen with Nicolaus A. Huber, where he graduated with distinction. Since 1999 he has worked as a freelance composer and musician, and facilitates East-West cultural exchanges. Tung's work has been presented in concerts of numerous festivals throughout Europe, Asia, and the USA. He has collaborated with choreographers, dancers, painters, musicians, ensembles, sound-, media- and video artists, e.g. Annegret Heiln, René Pieters, Bernhard Gal, Klang Forum Wien, Ensemble Ictus, Ensemble Modern, ensemble 2e2m, Ensemble On-Line Vienna , ensemble DEDALO, and China Found Music Workshop Taipei. He is the assistant professor for composition at the National Ciao Tung University since 2007.
Chien-Wen Cheng
Chien-Wen Cheng received his D.M.A. in Music Composition at the University of North Texas (2007), specializing in interactive computer music composition. Currently he works as a full-time assistant professor at the Graduate Institute of Interactive Media Design at the National Taipei University of Technology in Taiwan. He has won numerous composition awards and honors including: first prize in the “2007 Voices of Change Young Composers Competition” (USA); second prize in the “2006 Fine Arts Creation Award” (Taiwan); mention award in “The 3rd Percussion Music Composing Competition” (Taiwan, 2005); selected work in the 2002 orchestral call-for-scores competition in “Tune in to Taiwan – Taiwan Composers Series”; mention award in the “2000 Hakka Vocal Music Composition Contest” (Taiwan); first prizes (2005, 2006) and 2nd prize (2007) in the On-line Art Creativity Competitions (Taiwan); ICMC 2008 Regional Composition Prize (UK); finalists in Musica Nova International Competition of Electroacoustic Music (2010), Città di Udine International Composition Competition of Electroacoustic Music (2010), Bourge International Composition Competition (2009), and VI Concurso Internacional de Miniaturas Electroacusticas 2008 (Spain). His electroacoustic works were also included in ICMC, SEAMUS, and Computer Music Journal DVD and CD releases.
Ying-Lung Chen
As a composer, he received his doctoral degree in composition from the Conservatory of Music of the University of Missouri-Kansas City and studied with Dr. Chen Yi, Dr. James Mobberley, Dr. Paul Rudy and Dr. Zhou Long.
Mr. Chen was Assistant director for Musica Nova (new music ensemble), Assistant director for the Center for Computer Assisted Instruction in Music (CCAIM) , Graduate Teaching Assistant for the composition department in the Conservatory of Music in University of Missouri at Kansas City, Assistant Director of Music Editing for The FJH Music Company Inc. in Fort Lauderdale and Assistant Professor at National University of Tainan.
Currently, Mr. Chen is Assistant Professor at Kainan University and National Pingtung University and music director for the Sa Buyi Cultural and creative Co. Inc. in Taiwan .
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